Carol 20"x16", oil on linen
Carol Luc, our second guest model from the faculty, teaches various design classes and heads the VisCom department.
Carol was very enthusiastic about posing for us and brought as props more than half a dozen hats from her hat collection from times past, mostly the ’50s and ’60s. We chose the blue-and-black beret for today's session and decided to pick another one for the next time she poses for us.
Similar to the last week, I didn't spend much time on the drawing part of the painting at the beginning. Besides, taking pictures and helping a couple of new members get situated during the session didn't leave much time for an elaborate drawing.
I liked the bright color on her face framed between the darks of her beret and sweater. The light lipstick she wore accentuated the sharp angle of her 'Cupid's bow' upper lip and tied in with the intense red background.
I painted the necklace, after the session was over, to suggest the transition between her neck and chest. The deep dark of her sweater could easily blur the boundary between her neck and torso.
Photos of the students and Sarah Kaiser, a Fundamentals class instructor, painting Carol.
Carol Luc, our second guest model from the faculty, teaches various design classes and heads the VisCom department.
Carol was very enthusiastic about posing for us and brought as props more than half a dozen hats from her hat collection from times past, mostly the ’50s and ’60s. We chose the blue-and-black beret for today's session and decided to pick another one for the next time she poses for us.
Similar to the last week, I didn't spend much time on the drawing part of the painting at the beginning. Besides, taking pictures and helping a couple of new members get situated during the session didn't leave much time for an elaborate drawing.
I liked the bright color on her face framed between the darks of her beret and sweater. The light lipstick she wore accentuated the sharp angle of her 'Cupid's bow' upper lip and tied in with the intense red background.
I painted the necklace, after the session was over, to suggest the transition between her neck and chest. The deep dark of her sweater could easily blur the boundary between her neck and torso.
Photos of the students and Sarah Kaiser, a Fundamentals class instructor, painting Carol.
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