Sarah, 18"x14" oil on linen
Sarah is one of the admissions representatives at the Academy who approached us to pose for the club.
What was curiously interesting was the way she kept her mouth slightly open throughout the session. I liked it because the expression in her mouth and eyes added something more to an otherwise simple head study, as if she is actively engaged in a conversation, with or without spoken words from her—an element of storytelling. At the same time, the way she “posed” her mouth could easily be interpreted as a mildly angry expression. As I look at the finished painting, I could read both sides of the story.
Her long, dark hair (so intensely dark it almost looked blue) provided a strong frame for her face as well as high contrast against her skin tone.
What was curiously interesting was the way she kept her mouth slightly open throughout the session. I liked it because the expression in her mouth and eyes added something more to an otherwise simple head study, as if she is actively engaged in a conversation, with or without spoken words from her—an element of storytelling. At the same time, the way she “posed” her mouth could easily be interpreted as a mildly angry expression. As I look at the finished painting, I could read both sides of the story.
Her long, dark hair (so intensely dark it almost looked blue) provided a strong frame for her face as well as high contrast against her skin tone.
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